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      <image:title>Art, Life &amp; Love - The Sculpture of Deborah Butterfield: A Thrilling Study of Strength and Grace - Make it stand out</image:title>
      <image:caption>Butterfield, Deborah, Atiyah, 1986, Steel, 74 x 115 x 35 inches</image:caption>
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      <image:title>Art, Life &amp; Love - The Sculpture of Deborah Butterfield: A Thrilling Study of Strength and Grace - Make it stand out</image:title>
      <image:caption>Cave Painting, Chinese Horse, 15,000 BC, Lascaux Cave, France. Remington, Frederic, The Broncho Buster, 1895, revised 1909, cast by November 1910, Bronze, 2 1/4 x 27 1/4 x 15 inches, (81.9 x 69.2 x 38.1 cm) Metropolitan Museum of Art Museum. Equestrian Statue of Marcus Aurelius,161-180 D, Bronze, Musi Capitoli, Rome. Degas, Edgar, Horse with Head Lowered, ca. 1885 (cast executed 1919-1921), Bronze, 7 5/8 x 10 3/4 x 3 1/8 inches.</image:caption>
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      <image:title>Art, Life &amp; Love - The Sculpture of Deborah Butterfield: A Thrilling Study of Strength and Grace - Make it stand out</image:title>
      <image:caption>Butterfield, Deborah, Aspen, 2007, Cast Bronze, 89 x 87 x 60 inches</image:caption>
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      <image:title>Art, Life &amp; Love - The Sculpture of Deborah Butterfield: A Thrilling Study of Strength and Grace - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Art, Life &amp; Love - The Sculpture of Deborah Butterfield: A Thrilling Study of Strength and Grace</image:title>
      <image:caption>Butterfield, Deborah, Gallery Installation, LA Louver Gallery, Venice California</image:caption>
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      <image:caption>Butterfield, Deborah, Conure, 2007 welded found steel, 92 1/2 x 119 x 30 inches, (235 x 302.3 x 76.2 cm)</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin: The Cock, 1924, Wild Cherry, 47 ⅝ x 18 ¼ x 5 ¾ inches, Museum of Modern Art, New York, NY. The Newborn, Version 1, 1920 Bronze, 5 ¾ x 8 ½ x 5 ¾ inches, Museum of Modern Art, New York, NY.  Flying Turtle, 1940-45, White Marble on limestone base, 12 ½ x 36 ⅝ x 27 1/8 inches, Guggenheim Museum, New York, NY.</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin, L-R: Maiastra, 1912, bronze, 24 inches high. Des Moines Art Center. Bird, 1923–1947, blue-grey marble, 35 1/8” high, 19” diameter, Fondation Beyeler, Riehen, Basel. Yellow Bird, 1919, yellow marble, 36 ½” high, 20 ½” diameter, Yale University Art Gallery. Golden Bird, 1919. bronze, 38” high, base 48 1/8”, The Art Club of Chicago, Chicago. Bird in Space, 1923, marble, 56 ¾” x 6 ½” diameter, Metropolitan Museum of Art, NY.</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>L: Brancusi, Constantin, Portrait of Nicolae Darascu, 1906, Bronze, height: 25 ¼ inches, Romania Museum of Art, Bucharest. R: Brancusi in his studio 1833-34</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin, Bird in Space, 1928, Polished Bronze, 58 x 8 ½ x 6 ½ inches, Museum of Modern Art, New York, NY</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Fish, 1930, Grey Marble, 21 x 71 inches, Museum of Modern Art, New York, NY</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin, The Kiss, 1916, Limestone, 23 x 13 x 10 inches, Philadelphia Museum of Art</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin, Bird in Space, 1928, Polished Bronze, 58 x 8 ½ x 6 ½ inches, Museum of Modern Art, New York, NY</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What’s the Relation; or, What Can We Learn from the Work of Constantin Brancusi? - Make it stand out</image:title>
      <image:caption>Brancusi, Constantin: Mlle. Pogany Drawing. Mlle. Pogany III, 1931, White Marble, 17 1/16 x 7 ½ x 10 ½ inches, Philadelphia Museum of Art</image:caption>
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    <lastmod>2023-10-18</lastmod>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Monet, Claude, La Japonaise Cassatt, Mary, The Letter Van Gogh, Vincent, The Bridge in the Rain</image:caption>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Hokusai, Katsushika, The Great Wave off Kanagawa, 1831, color woodblock, 10.1 x 14.9 inches</image:caption>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes!</image:title>
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      <image:title>Art, Life &amp; Love - Does Art Answer the Questions of Our Lives? — The Work of Hokusai Says Yes! - Make it stand out</image:title>
      <image:caption>Hokusai, Katsushika, scenes from 36 Views of Mount Fuji</image:caption>
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    <loc>https://www.donitaellison.com/art-life-love-blog/the-technique-of-art-the-questions-of-lifewhats-the-relation-a-discussion-of-the-life-and-work-of-auguste-rodin</loc>
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      <image:title>Art, Life &amp; Love - The Technique of Art &amp;amp; the Questions of Life—What’s the Relation? a discussion of the life and work of Auguste Rodin - Make it stand out</image:title>
      <image:caption>Jean d’Aire 2. Eustache de Saint-Pierre 3. Pierre de Wiessant 4. Andrieu d’Andres 5. Jacques de Wiessant 6. Jean de Fiennes</image:caption>
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      <image:title>Art, Life &amp; Love - The Technique of Art &amp;amp; the Questions of Life—What’s the Relation? a discussion of the life and work of Auguste Rodin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - The Technique of Art &amp;amp; the Questions of Life—What’s the Relation? a discussion of the life and work of Auguste Rodin - Make it stand out</image:title>
      <image:caption>Steichen, Edward, Balzac, Towards the Light, Midnight, 1908</image:caption>
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      <image:title>Art, Life &amp; Love - The Technique of Art &amp;amp; the Questions of Life—What’s the Relation? a discussion of the life and work of Auguste Rodin - Make it stand out</image:title>
      <image:caption>Rodin, Auguste, Monumnet to Balzac</image:caption>
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    <image:image>
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      <image:title>Art, Life &amp; Love - The Technique of Art &amp;amp; the Questions of Life—What’s the Relation? a discussion of the life and work of Auguste Rodin - Make it stand out</image:title>
      <image:caption>Rodin, Auguste, The Burghers of Calais</image:caption>
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    <loc>https://www.donitaellison.com/art-life-love-blog/art-lifewhat-do-they-have-to-do-with-each-other-a-discussion-of-the-art-and-life-of-barbara-hepworth</loc>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What Do They Have to Do With Each Other? a discussion of the art and life of Barbara Hepworth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/566851b9-6632-4f9a-9dc2-00d281f526d6/Hepworth+-+Two+Doves.jpg</image:loc>
      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What Do They Have to Do With Each Other? a discussion of the art and life of Barbara Hepworth - Make it stand out</image:title>
      <image:caption>Hepworth, Barbara, Doves, 1927, parian marble, Manchester Art Gallery, UK</image:caption>
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    <image:image>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What Do They Have to Do With Each Other? a discussion of the art and life of Barbara Hepworth - Make it stand out</image:title>
      <image:caption>Hepworth, Barbara: Mother and Child, 1934, pink ancaster stone, 26 x 31 x 22 cm., The Hepworth Wakefield, UK. Pendour, 1947, painted elm wood, Hirshhorn Museum &amp; Sculpture Garden, Washington D.C. Figure for Landscape, 1960, bronze,106 1/2 x 53 7/8 x 28 3/8 inches, artist's base: 3 1/2 x 25 1/2 x 26 1/2 inches, Hirshhorn Museum &amp; Sculpture Garden, Washington, DC.</image:caption>
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      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What Do They Have to Do With Each Other? a discussion of the art and life of Barbara Hepworth - Make it stand out</image:title>
      <image:caption>Hepworth, Barbara, Pelagos, 1946, painted elm and strings, 14 1/2 x 15 1/4 x 13 inches on an oak base, Tate Gallery, UK.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/24fd5c57-9041-4522-ad7f-8f0e6d0069a8/Hepworth+2+works.jpg</image:loc>
      <image:title>Art, Life &amp; Love - Art &amp;amp; Life—What Do They Have to Do With Each Other? a discussion of the art and life of Barbara Hepworth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.donitaellison.com/art-life-love-blog/american-realism-to-pop-artwhats-going-on</loc>
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    <priority>0.5</priority>
    <lastmod>2023-09-07</lastmod>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Left: Benton, Thomas Hart, Homestead, 1934, tempera &amp; oil on board, 25 x 34 inches, Museum of Modern Art, NYC. Center: Wood, Grant, American Gothic, 1930, oil on beaverboard, 30.70 x 25.70 inches, Art Institute of Chicago. Right: Curry, John Steuart, Baptism in Kansas, 1928, oil on canvas, 40 1/4 x 50 1/4 inches Whitney Museum of American Art</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/329554f0-da48-44f3-8ad4-56998fb71696/Benton+-+Crading+Wheat.jpg</image:loc>
      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Benton, Thomas Hart, Cradling Wheat, 1939, Lithograph, 12” x 9¾” inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/af539e9c-25ac-42b5-a6aa-8c3564675fd5/Bartlett+-+Heartland+-res.jpg</image:loc>
      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Bartlett, Bo, Heartland, 1994, oil on linen, 64” x 86” inches</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Detail: Benton, Thomas Hart, A Social History of Missouri, 1935, egg tempera, Missouri State Capitol, Jefferson City, Mo.</image:caption>
    </image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Warhol, Andy, Campbell’s Soup Can, 1965, silkscreen. Johns, Target with Four Faces, 1955, mixed media, Museum of Modern Art. Segal, George, Cinema,1963, plaster, illuminated plexiglass &amp; metal, 118 x 96 x 39 inches Albright-Knox Art Gallery, Buffalo, New York. Lichtenstein, Roy, Reverie, 1965 silkscreen, composition: 27 1/8 x 22 15/16 inches; sheet: 30 1/8 x 24 inches, Museum of Modern Art, NYC.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Hanson, Duane, Tourists, 1970, National Galleries of Scotland.</image:caption>
    </image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Bartlett, Bo Left: Homecoming, 1995, oil on linen, 94” x 135” inches. Center: The Dowry, 2005, oil on linen, 85” x 100” inches. Right: Little Eden, oil on linen, 67” x 81” inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/ac39758e-7441-4f50-85e5-e035218f1c42/Oldenburg+-+Light+Switch%2C+Ice+Bag.jpg</image:loc>
      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Oldenburg, Claes, Soft Light Switches, 1964, Vinyl filled with Dacron and canvas, 41.1 x 41.1 x 11 inches, Tate, UK. Soft Ice Bag,1969-70.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Hanson, Duane: Janitor,1973. Woman with Child in Stroller, 1985. Lady with Shopping Bags, 1972, Bank Guard, 1975.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/19c9befd-d7bd-4df8-b0f1-175bd1fa99f6/Clothespin.jpg</image:loc>
      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Oldenburg, Claes, Clothespin, 1976, Cortan Steel 45’x12’x4½’, Philadelphia, PA.</image:caption>
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    <image:image>
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      <image:title>Art, Life &amp; Love - American Realism to Pop Art—What’s Going On? - Make it stand out</image:title>
      <image:caption>Oldenburg, Claes: Floor Cake, 1962, synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes, 58 3/8" x 9' 6 1/4" x 58 3/8", Museum of Modern Art. Typewriter Eraser, 1999, painted stainless steel and fiberglass, 237 1/4 x 152 1/2 x 136 inches, National Gallery of Art, Washington, DC.</image:caption>
    </image:image>
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    <image:image>
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      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Rembrandt van Rijn, The Three Trees, 1643, etching, engraving and drypoint, plate 8 3/8 x 10 15/16</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/bee0b55f-dde7-4d7d-a361-b8f027a50058/Warhol+-+Marilyn+-+MOMA.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Warhol, Andy, Untitled from Marilyn Monroe, 1967, 36 x 36 inches, Museum of Modern Art, NY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/165d7a6c-1d34-43e9-bec5-db7913453ba8/Thiebaud+-+Dark+Cake-+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Thiebaud, Wayne, Dark Cake, 1980, woodcut, framed:  22 ½ x 24 ¼ x 1”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/4da10eda-d79e-4da0-9739-a2fd8f981ad3/Segal+-+Red+Haired+Girl.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Segal, George, Red Haired Girl with Green Robe, 1982, silkscreen, framed:  47 x 37 1/8 x 1 ½”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/90ec2b32-8fba-4dda-b18c-369e9df7f465/Soyer+-+Man+and+Woman+on+a+Couch+-+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Soyer, Raphael, Woman &amp; Man on Couch, 1982, etching, framed:  13 x 14 ½ x 1”, The Cochran Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/8a4b1af5-2ade-4d1d-89aa-0cc9996d6893/Indiana+-+Love+-+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Indiana, Robert, Love, 1982, silkscreen, framed:  32 x 31 ¾ x 1 ¼”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/67265465-cf99-464e-aedd-c606d28bd5e2/Calder%2C+Flies+in+Spider+Web%2C+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Calder, Alexander, Flies in the Spider Web, 1974, lithograph, framed:  24 ¼ x 30 ¼ x 1”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/70621a08-a5a6-4cfd-9ffa-33761836bf85/De+Kooning+-The+Man+and+the+Big+Blonde.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>De Kooning, Willem, The Man &amp; the Big Blonde, 1982, lithograph, framed:  28 ¼ x 33 ¾ x 1”, The Cochran Collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/47b3d039-5373-4602-b7ee-b859721d4d91/Agam+-+Festival+-+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Agam, Yaacov, Festival, 1977, silkscreen, framed:  35 x 37 ¾ x 1”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/28340bdf-85a1-4ac2-89a0-7ffcda01a936/Rosenquist+-+For+Artists+-+Cochran+collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Rosenquist, James, For Artists, 1976, collage and silkscreen, framed:  37 ½ x 29 ¼ x 2 ¼”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61682d81b1bb682181ee23fa/de42b80e-b507-46e0-9e7b-9975ee255b97/Katz+-+Alex+-+Cochran+Collection.jpg</image:loc>
      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Katz, Alex, Alex, 1970, lithograph, framed:  38 ¾ x 29 ¾ x 1 ¼”, The Cochran Collection</image:caption>
    </image:image>
    <image:image>
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      <image:title>Art, Life &amp; Love - We Begin with Surface —a discussion of prints from The Cochran Collection - Make it stand out</image:title>
      <image:caption>Matisse, Henri, Linocut Kollwitz, Käthe, Self-Portrait, 1922-23, woodcut</image:caption>
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  <url>
    <loc>https://www.donitaellison.com/art-life-love-blog/the-fight-in-women-between-security-adventureis-there-a-beautiful-solution-a-consideration-of-the-life-and-work-of-louise-nevelson</loc>
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      <image:caption>Nevelson, Louise: Dawn’s Wedding Chapel IV, wood painted white, 1959-1960, 109 x 87 x 13.5 inches, Philippe Braunschweig, La Chaux-de-Fonds, Switzerland. Royal Tide, Dawn, 1960-1964, wood painted gold, 231.1 x 160 x 27 cm, Museu Coleção Berardo, Portugal. Sky Cathedral—Moon Garden Wall, 1956-60, wood painted black, 85 ⅝ x 75 ¼ x 12 ½ inches, The Cleveland Museum of Art, USA.</image:caption>
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    <image:image>
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      <image:caption>Nevelson, Louise, Sky Cathedral—Moon Garden + One, 1957-60, wood painted black, 109 x 130 x 19 inches, Milly and Arnold Glimcher, New York</image:caption>
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      <image:title>Art, Life &amp; Love - The Fight in Women Between Security &amp;amp; Adventure—Is There a Beautiful Solution? a consideration of the life and work of Louise Nevelson - Make it stand out</image:title>
      <image:caption>Nevelson, Louise, Sky Cathedral, 1958 painted wood, 135 ½ x 102 ¼ x 18 inches, Museum of Modern Art, New York</image:caption>
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  <url>
    <loc>https://www.donitaellison.com/art-life-love-blog/what-a-woman-feels-and-what-she-shows-can-they-be-the-same-a-discussion-of-the-life-of-martha-vanorsdol-farnsworth</loc>
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      <image:caption>Martha Farnsworth, date unknown</image:caption>
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    <image:image>
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      <image:caption>Matisse, Henri, Anemones with Black Mirror, oil on canvas</image:caption>
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    <image:image>
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      <image:title>Art, Life &amp; Love - What a Woman Feels and What She Shows; Can They Be the Same? —a discussion of the life of Martha VanOrsdol Farnsworth - Make it stand out</image:title>
      <image:caption>Vermeer, Johannes, Girl with a Pearl Earring, 1665, oil on canvas, 39 x 44.5 cm, Mauritshuis, The Hague</image:caption>
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      <image:caption>Wilkie, Sir David (1785-1841), The First Council of Queen Victoria, 1838, oil on canvas, 152.7 x 239.0 cm, Royal Collection Trust, Windsor Castle, UK</image:caption>
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    <image:image>
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      <image:caption>Left: Frith, William Powell, Derby Days, 1856–8, oil on canvas, Tate, Britain. Right: Turner, Joseph Mallord William, Rain, Steam, and Speed, 1844, oil on canvas, 91 x 121.8 cm, The National Gallery, UK.</image:caption>
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      <image:title>Art, Life &amp; Love - “Roundness Bodes Well” —report of 1975 lecture by Eli Siegel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Art, Life &amp; Love - “Roundness Bodes Well” —report of 1975 lecture by Eli Siegel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Art, Life &amp; Love - “Roundness Bodes Well” —report of 1975 lecture by Eli Siegel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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